Iconographer: Father MichaelCommemorates on: January 30The common feast of these three teachers was instituted a little before the year 1100, during the reign of the Emperor Alexis I Comnenus, because of a dispute and strife that arose among the notable and virtuous men of that time. Some of them preferred Basil, while others preferred Gregory, and yet others preferred John Chrysostom, quarrelling among themselves over which of the three was the greatest. Furthermore, each party, in order to distinguish itself from the others, assumed the name of its preferred Saint; hence, they called themselves Basilians, Gregorians, or Joannites. Desiring to
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Iconographer: Romanos FatherCommemorates on: January 22
The Apostle Timothy, who was from Lystra of Lycaonia, was born of a Greek (that is, pagan) father and a Jewish mother; his mothers name was Eunice, and his grandmothers name was Lois (II Tim. 1:5). He became the disciple of the Apostle Paul when the latter first preached there, and he followed him during the whole period of the Apostles preaching. Afterwards, he was consecrated by him as first Bishop of the Church in Ephesus. Under the supervision of John the Evangelist, who governed all the churches in Asia, he completed his life
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Unique Museum Copy of Virgin Amolintos.This icon shows the saddest countenance of the Virgin among all the other icongraphic types. Christ turns his head towards the left and sees the angel who is holding the Cross while the other angel is holding the symbols of Passion. The icon is painted in egg tempera on wood and the two prototypes are to be found in Fiesole of Florence and Saint Alphonso of Rome.
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Unique Museum Copy of Virgin Belozersk.A Russian icon of the 13th century. It follows the iconographic type of the Virgin of Mercy (Eleoussa) which is characterized by the melancholic and serious countenance of Virgin who envisages the impending tragedy. She holds tenderly the child Jesus who is embracing her. The intense colouring of the halos, the vestment and the margin provide with a festive exaltation. Angels and Saints appear in circles around the Virgin The painting is in egg tempera on wood.
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Unique Museum Copy of Virgin Grebenskaya.A Russian icon of the 15th century and of Russian School. The portrayed Virgin belongs to the iconographic type of the àƒÆ’Â’¢àƒ’¢â€Å¡Â’¬àƒ…â€Å“HodegetriaàƒÆ’Â’¢àƒ’¢â€Å¡Â’¬àƒâ€šÂ’ holding Christ in her right arm. The theme symbolizes the Virgin of Victory and Glory.
Painted in egg tempera on wood, the icon found in the Museum of Saint Sergious at Zagorsk in the USSR.
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Unique Museun Copy of Virgin of Don.A Russian 14th century icon. It belongs to the iconographic type of the Virgin of Mercy ( Eleoussa ) characterized by the melancholic and serious countenance of the Virgin. She holds tenderly the child Jesus who is embracing her. The painting is in egg tempera on wood and is found in the Tretiakov Gallery in Moscow.
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Unique Museum copy of Virgin of Igor.A Russian icon of the 15th century. It follows the iconographic type of the Virgin of Mercy (Eleoussa) which is characterized by the melancholic and serious countenance of Virgin who envisages the impending tragedy. She holds tenderly the child Jesus who is embracing her. The icon is framed by the Holy Napkin, Angels, St. John the Baptist, various Prohets, male and female Saints.The painting is in egg tempera on wood.
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Unique Museum copy of Virgin of Korsun.A Russian icon dating from around 1750. It follows the iconographic type of the Virgin of Mercy (Eleoussa) which is characterized by the melancholic and serious countenance of Virgin who envisages the impending tragedy. She holds tenderly the child Jesus who is embracing her. The painting is in egg tempera on wood.
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Unique Museum copy of Virgin of Poland the Black Virgin.Probably it comes from Byzantian Greece and is ascribed to Saint Luke the Evangelist. The icon is found in Poland since 1382 A.D. The icon belongs to the iconograthic type of the àƒÆ’Â’¢àƒ’¢â€Å¡Â’¬àƒ…â€Å“HodegetriaàƒÆ’Â’¢àƒ’¢â€Å¡Â’¬àƒâ€šÂ’and symbolizes the Virgin of Victory and of Glory. The icon is covered with a silver cover with precious stones on it. The painting is in egg tempera on wood and the icon was found at the Monastery of Jasna Gora of Czestochowa in Poland.
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